Johann Christian Bach (1735 – 1782)

Concerto in c-Moll

Solo-Konzert

J.C. Bach: Concerto en Ut Mineur, VcKlav (Part.) (0)J.C. Bach: Concerto en Ut Mineur, VcKlav (Part.) (1)J.C. Bach: Concerto en Ut Mineur, VcKlav (Part.) (2)J.C. Bach: Concerto en Ut Mineur, VcKlav (Part.) (3)J.C. Bach: Concerto en Ut Mineur, VcKlav (Part.) (4)
per:
violoncello, pianoforte
Edizione:
Partitura
№ dell’articolo:
765377
Autore / Compositore:
Arrangiatore:
Formato:
30 Pagine
Anno di pubblicazione:
2014
Editore / Produttore:
N° del produttore:
SLB 5894
ISMN:
9790048002050

Descrizione

This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert, being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved thatthe Concerto should not have been attributed to Johann Christian Bach after all, as it had actually been composed “in the style of Bach” some two centuries later. Nevertheless, the Concerto has been a success and is today often performedand studied closely. This edition of the Concerto is a new version of the original score enriched with an introduction and history in French, English and Italian.

This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert, being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved that the Concerto should not have been attributed to Johann Christian Bach after all, as it had actually been composed “in the style of Bach” some two centuries later. Nevertheless, the Concerto has been a success and is today often performed and studied closely. This edition of the Concerto is a new version of the original score enriched with an introduction and history in French, English and Italian

Contenuto

This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert, being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved thatthe Concerto should not have been attributed to Johann Christian Bach after all, as it had actually been composed “in the style of Bach” some two centuries later. Nevertheless, the Concerto has been a success and is today often performedand studied closely. This edition of the Concerto is a new version of the original score enriched with an introduction and history in French, English and Italian.

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