The Girls of Jobim

0 Full Score A3 - 1 Full Score - 2 Soprano Saxophone - 2 Alto Saxophone I - 2 Alto Saxophone II - 2 Tenor Saxophone - 1 Baritone Saxophone - 1 Flugelhorn Eb - 5 Flugelhorn I - 5 Flugelhorn II - 5 Flugelhorn III - 3 Trumpet I - 3 Trumpet II - 3 Trumpet III - 3 Trumpet IV - 1 Horn I Eb - 1 Horn I F - 1 Horn II Eb - 1 Horn II F - 1 Horn III Eb - 1 Horn III F - 1 Horn IV Eb - 1 Horn IV F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 2 Trombone IV C - 2 Baritone C - 2 Baritone Bb (BC) - 4 Baritone Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 4 Tuba C - 1 Stringbass - 1 Keyboard/Piano/Synthesyser - 1 Guitar - 1 Percussion I - 1 Percussion II - 1 Drums

The Brasilian composer Antonio Carlos Jobim wrote some very famous tunes such as Desafinado (1959). It was this song that first mentioned the term bossa nova. Though complex in melody and harmony, the bossa nova's real innovation was the radical change of the rhythmic structure of the samba. In this medley Manfred Scheider arranged some of Jobim's best-known bossa novas which were undoubtedly inspired by several exotic beauties. You can hear successively One Note Samba, Meditation, How Intensive and of course the great evergreen The Girl from Ipanema.