Bononcini: Six Chamber Cantatas with Strings (1708)

xix + 179 pp.

Placeholder image
Ausgabe:
Artikelnr.:
1691499
Verlag / Hersteller:
Hersteller-Nr.:
B235
ISBN:
9781987208382

Beschreibung

During the first decade of the eighteenth century, a new generation of Italian composers brought the latest styles to a Vienna lagging behind the musical innovations that were occurring in cities such as Venice, Rome, and Naples. Among the intrepid individuals to join the Habsburg court was the north Italian composer Antonio Maria Bononcini (1677–1726). When Antonio began his service to the Habsburg emperor, he was still a young and little-known composer, but it was in Vienna that he distinguished himself as one of his generation’s most gifted composers of dramatic vocal music. The six cantatas by Antonio Bononcini found in this edition, from the Viennese manuscript A-Wn, Mus.Hs.17607, are written for soprano or alto with strings, and the string instrumentation is unique in specifying two of the violins and the violoncello as di concerto (that is, concertino), and two violins and double bass as di concerto grosso (that is, ripieno). These cantatas represent the new Italian style that flourished at the imperial Viennese court of Emperor Joseph I. Through their innovative use of form, design features, affective harmony, melody, and rhythm, they demonstrate that, although Antonio’s cantata output is much smaller than that of his more famous brother Giovanni, his compositional style reveals a composer of superior craftsmanship and imagination.

Inhalt

Sul margine adorato (Soprano)

  1. [Recitative]: “Sul margine adorato”
  2. [Aria]: “Mentre io vi miro”
  3. [Recitative]: “Ma se poi volgo i lumi”
  4. [Aria]: “Benché m’abbia”
  5. [Recitative]: “Dunque sperar degg’io”
  6. [Aria]: “Io t’amo tanto, tanto”

Vorrei, pupille belle (Soprano)

  1. [Arioso—Recitative—Arioso]: “Vorrei, pupille belle”
  2. [Aria]: “Oh Dio, se fosse vero”
  3. [Recitative]: “A rissanar la piaga”
  4. [Aria]: “Perduto mio tesoro”

Troppo rigore Clori (Soprano)

  1. [Recitative]: “Troppo rigore Clori”
  2. [Aria]: “Son fedele, e se noi credi”
  3. [Recitative]: “Se in te l’occhio rivolgo”
  4. [Aria]: “Al tuo bel volto amante”
  5. [Recitative]: “Quanto meco sdegnata”
  6. [Aria]: “L’empio fato”

Lontananza: Mentre al novo apparir (Alto)

  1. [Recitative]: “Mentre al novo apparir”
  2. [Aria]: “Più barbaro martire”
  3. [Recitative]: “Miracolo è d’Amor”
  4. [Aria]: “Colorita ho nel pensiero”
  5. [Recitative]: “In quelle chiome d’oro”
  6. [Aria]: “Quanto più cara”
  7. [Recitative]: “Così mentre dispera”
  8. [Aria]: “S’io ritorno, o luci amate”

Tanto avezzo ho il core (Alto)

  1. [Aria]: “Tanto avezzo ho il core”
  2. [Recitative]: “Dal dì che chiuse i rai”
  3. [Aria]: “Da’ primi nodi suoi”
  4. [Recitative]: “Ma nel di lei bel foco”
  5. [Aria]: “M’uccida Amore”

Sopra l’orme d’Irene (Alto)

  1. [Recitative]: “Sopra l’orme d’Irene”
  2. [Aria]: “Uscite o gemiti”
  3. [Recitative]: “Se dell’idol ch’adoro”
  4. [Aria]: “Più molesta è la tempest”
  5. [Recitative]: “Torna, deh torna Irene”
  6. [Aria]: “Dal tuo rigor”
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