Inhalt
- Acknowledgments
- Introduction
PART ONE: Nobilissima Visione (1938)
- 1 The Beginnings
- 2 The Scenario Drafts
- 3 The Nobilissima Visione Music Sketches: a View into Hindemith’s Creative Process
- 4 Preparations and Performances
PART TWO: Der Kinderkreuzzug (1939) and the Later Ballet Scenarios: Defining the Visualized Dance and Expressive Gestures in Hindemith’s Ballet Works from the 1930s
- 1 Der Kinderkreuzzug (1939)
- 2 The Composer and His Dance
- Conclusions
- Research Perspectives
- References