Contenu
- Corre dal monte al prato
- Ecco, Dorinda, il giorno
- Misero, e che far deggio
- Pastor, come diverso
- Poiché Fille superba
- Vago augelletto
Belcanto Rarities Vol. 2
Kritische Ausgabe
Besetzung: Voice (soprano), Vl. I, Vl. II, Basso continuo
With the exception of Ecco, Dorinda, il giorno these beautiful pastoral soprano-cantatas are unique copies and are previously unpublished. They seem to have been composed in Rome around 1715 and follow the conventional form of the “cantata da camera”, which by the end of the 17th century had been established as a succession of recitative sections alternating with arias.
While the last cantata in the series, Vago augelletto, begins exceptionally with an aria followed by a recitative and a concluding aria, the remaining five cantatas all begin with an instrumental introduction followed either by two recitatives (including some remarkable “accompagnati”), alternating with two arias, or, in the case of Ecco Dorinda il giorno and Pastor come diverso, a succession of three recitatives and arias.
dramma per musica in 3 atti
Belcanto Rarities Vol. 1
Kritische Ausgabe
pour: 6 voix (SSAAAT), orchestre
Partition
№ d’article: 781362
dramma per musica in 3 atti
Belcanto Rarities Vol. 3
Kritische Ausgabe
pour: 6 voix (SSSAAB), orchestre
Partition
№ d’article: 781353
dramma per musica in 3 atti
Belcanto Rarities Vol. 4
Kritische Ausgabe
pour: 6 voix (SSSAAT), orchestre
Partition
№ d’article: 781348
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